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With the title "From affection expressed to lyricism: Re-discussing the literary spirit and skills of elegant poetry in the Late Song Dynasty", this paper reflects on the rationality of "lyrical discourse" in interpreting the people and words of the late Song Dynasty, and puts forward the interpretation perspective of "writing emotions" in order to meet the phenomenon of late Song lyricists' writing.
From the perspective of strictly "lyrical discourse", the word "lyrical" focuses on the author's "subjective" and "sensible" autobiographical expression, so "lyrical discourse" focuses on the interpretation method of "knowing people and discussing the world". This paper points out that most of the late Song lyricists were relatively unappreciated, and the interpreters first faced the problem of lack of literature.
Secondly, the Song lyrics of "works are born of songs" ("ying-ge") and "works are born of social interaction" ("ying-she"), which also highlight the question of whether the "true creator" is consistent with the "narrator within the text", where the interpreter faces the dilemma of who the "lyrical subject" belongs to.
The research purpose of this thesis is to clarify how to construct the emotional experience of others when the creator and the narrator in the text are different. Therefore, this thesis puts forward the concept of "writing emotions", pointing out that late Song poets have another kind of "compassion and empathy" as the basis for understanding others. The author uses observation, imitation and imagination to reinterpret the creative attitude of others' experience.
With such a creative attitude, the author evokes the readers' self-experience by writing about the common emotional experience of human beings, and leads the readers to return to themselves and think about the meaning of self-existence. That is, "literature of love", and "words of love" are also included in it.
Focusing on the topic of "expression of emotion", this thesis points out that "literature of emotion expression" does not aim at expressing the aesthetic experience of the creative subject itself, but expresses the complexity of the subject of human life by reproducing the emotional experience of the "other". and diversity.
This thesis is mainly represented by Wu, Wen-Ying and Zhang, Yan, poets of the late Song Dynasty. Their works and rhetorical methods concretely show the aesthetic cha
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