人一生中擁有許多夢想，並且建構成一個具有層次的系統，每一階段都擁有相對應的需要，並且受到自我實現的激發而努力，在達成階段性目標時所產生的滿足和靜定感，透過這個過程填補對於安全感的缺乏。

本論文創作主題為遇見昔日的家屋，紀錄2018至2020期間的創作，將滿足對家屋所缺乏的安定感作為發想概念，以此為主軸發展為系列的核心。對於過往缺乏的事物，往往在獲得實現需求的能力後，都會嘗試透過各種形式滿足過去。透過創作滿足過往對於事物的缺乏感，因為在過程中不斷的摸索缺乏感源頭，心理的狀態放鬆且釋放，也就能從心靈層面上得到滿足。

構思如何將日常生活裡所經驗的，從思想中塑造出來，對自我的肯定反饋在創作裡。人與空間的互動留下的痕跡和情感，這些元素的存在象徵著過去的記憶，而那些記憶透過留在空間中記錄下來。透過書寫論文整理脈絡，不只是表述自我情感的途徑，也是一種自我實現，能滿足過去的不安情緒。以勾起回憶的事件與連結事件的建築空間為主軸，將其中的情感轉換成雕塑符號，運用幾何造型、負向空間以及角落，拆解重新組合成情感的載體。

本文書寫架構為第一章：書寫背景、動機、目的以及範圍，第二章：透過閱讀文本和藝術家，學習看待創作的角度以及方式，第三章：從形式上分析作品，第四章：闡述創作歷程，以及所依附在作品裡的情感，結語作為自我反思和未來期許。

During the span of our lives, we have many dreams. These dreams are often organised into a system with many layers, with each stage having its own corresponding requirements. Furthermore, they are impacted by the impetus and efforts made through the process of self-actualisation. When goals are achieved within each stage, there is a huge sense of achievement and a sense of tranquility. Through this process, one is able to overcome one’s own lack of sense of security.

The main creative topic of this thesis is the meeting of former homes. It records the body of work created from 2018 to 2020, and fulfills inspiration for the concept of lack of stability towards the idea of home. It treats this as the core axis to develop a series of work. In terms of what was lacking in the past, usually when we gain the ability and means to achieve that which we lacked and needed, we will try to use various means to fulfill what had been lacking. Through artistic creations, the artist has tried to fulfill the feeling of lack he had in the past because through the creative process, he continually grappled with the source of this lack. His mind and heart were able to relax and be liberated, and he was able to achieve a sense of satisfaction in the realms of his heart.

When planning how to incorporate his everyday experiences into his work, from ideas to executing physical creations, he received feedback of his belief in his own abilities. The interaction between humans and the spaces in which they reside will leave behind marks and emotions. The existence of these elements are a reminder of past memories and those memories are recorded by being left within the physical spaces. Through writing the thesis the artist has arranged the overall context of his ideas. Not only is he expressing the channel of his own emotions, it is also a process of self-actualisation. Through this process one is able to deal with one’s uneasy feelings from the past. Evoking past memories and events and linking the physical spaces where these events took place as the key axis, the artist transformed the emotions he felt within these spaces into sculptural symbols. He disassembles geometrical forms, negative spaces and corners in order to newly compose a carrier for his emotions.

The structure of this thesis has been split into the first chapter, which includes the thesis background, motivation, aim and scope. The second chapter talks about how the artist learnt to view the angle and method of his creations through the lens of existing literature and other artists. The third chapter is an analysis of art creations through their outer forms. Chapter four talks about the artistic and creative process as well as the emotions that are attached to the creations. Chapter five is the conclusion which also serves as a vehicle for self-reflection and future hopes.

第一章 緒論 1
第一節 研究背景與動機 2
第二節 研究目的 4
第三節 研究範圍 6
第四節 名詞解釋 7
第二章 文獻回顧 9
第一節 文獻回顧 9
第二節 建築空間的再創造 15
第三節 空間探索 21
第三章 創作理念 25
第一節 創作中的符號 25
第二節 創作形式 30
第三節 走進昔日的家 40
第四章 創作詮釋 42
第一節 系列（一） 樓梯–角落 43
第二節 系列（二） 連結–昔日 48
第三節 系列（三） 共存–廊道 54
第四節 系列（四） 記憶插件 56
第五節 系列（五） 修復 62
結語 69
參考文獻 71

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