長笛獨奏曲《卡珊德拉夢之曲》由布萊恩．費尼豪作曲於西元1970年；由於此作品記譜方式極其困難與樂曲結構極為複雜，直到1974年才由長笛演奏家首次演出。布萊恩．費尼豪是一位天才和具有爭議的作曲家，號稱「新復雜主義」之父的形象。在二戰結束，序列主義和整體序列主義相繼發展之後，「新復雜主義」之出現被歸類為一種新式的作曲風格，與幾乎同一個時期的極簡主義不同方向。本文在詮釋此作品之前，將系統性地回顧「新復雜主義」相關的背景歷史與布萊恩．費尼豪的生平及作曲風格；同時筆者也回顧過去長笛演奏家們詮釋此曲的相關文章，並且結合希臘神話中卡珊德拉的故事及隱喻，引薦屬於個人針對此曲的詮釋風格。

The 'Cassandra's dream song for solo flute' was composed by Brian Ferneyhough in 1970. Because of the extremely complicated musical notation and the complex structure of the piece, it was until 1974 did a flutist perform it for the first time. Brian Ferneyhough is a genius yet controversial composer, and is often regarded as the father of 'New Complexity'. After the development of serialism and integral serialism since the end of World War II, the appearance of 'New Complexity' was categorized as a new composing style that is different from minimalism during the same period. In this article, the history of 'New Complexity,' the biography, and composition style of Brian Ferneyhough were reviewed systematically before the interpretation of this piece. The author also reviewed some earlier relevant interpretative articles by flutists, and combined them with the story and metaphor of Cassandra in Greek mythology. Thereafter, recommendation of my personal interpretation style for the piece were provided.

第一章 緒論 1
第一節 研究動機與目的 1
第二節 研究方法與範圍 3
第三節 文獻回顧 4
第二章 作曲家布萊恩．費尼豪介紹 7
第一節 作曲家生平 7
第二節 費尼豪作曲人生與風格 12
第三章 「新複雜主義」的背景 21
第一節 當代音樂 (Contemporary Music) 21
第二節 新複雜主義 (New Complexity) 27
第四章 《卡珊德拉夢之曲》分析與詮釋 35
第一節 希臘神話「卡珊德拉」的故事 35
第二節 關於《卡珊德 拉的夢之曲》的巨觀分析 38
第三節 關於《卡珊德拉的夢之曲》的微觀分析與詮釋 40
第四節 關於《卡珊德拉的夢之曲》的演奏手法與詮釋 60
第五節 小結 67
第五章 結論 69

中文書籍
1. 于洋潤（2013）。西方音樂通史 （修訂版）。上海：上海音樂出版社。
2. 李靈芝（譯）(2004）。長笛 From A to Z （M. Debost 著，The Simple Flute）。桃園市：原笙國際。（原著出版於 1996 年）
3. 余淑慧（譯）（2020）。希臘羅馬神話：永恆的諸神、英雄、愛情與冒險故事 （E. Hamilton 著，Mythology：Timeless Tales of Gods and Heros）。台北市：漫遊者文化。（原著出版於 2011 年）
4. 孫明之（譯）（2010）。夢的解析（S. Freud 著，The interpretation of Dreams）。 新北市：左岸文化。（原著出版於 2010 年）
5. 許汝紘（2017）。圖解音樂史。台北市：華茲出版。
6. 劉志明（2004）。西洋音樂史與風格。台北市：全音樂譜出版社。
外文書籍
1. Beecrof, J. (2003). Contemporary. In P. D. Noyer (ed.), The Billboard Illustrated Encyclopedia of Music. Flame Tree.
2. Boros, J. & Toop, R. (Eds.). (1995). Brian Ferneyhough: Collected Writings. Routledge: Harwood Academic Publishers.
3. Boros, J. (1990). Shattering the Vessels of Received Wisdom: In Conversation with James Boros. In J. Boros & R. Toop (Eds.), Brian Ferneyhough: Collected Writings (pp. 369-405). Harwood Academic Publishers
4. Burkholder, J.P., Grout, D. J., Palisca, C. V. (2014). A History of Western Music Ninth Edition. W. W. Norton & Company.
5. Feller, R. (2002). Resistant Strains of Postmodernism: The Music of Helmut Lachenmann and Brian Ferneyhough. In J. Lochhead & J. Auner (Eds), Postmodern Music/Postmodern Thought (pp. 249-262). New York: Routledge.
6. Fitch, L. (2013). Brian Ferneyhough. Intellect Ltd.
7. Harvey, J. (1995). Forward. In J. Boros & R. Toop (Eds.), Brian Ferneyhough: Collected Writings (pp. ix-xii). Harwood Academic Publishers.
8. Heile B. (2009). Introduction: New Music and Modernist Legacy. In B. Heile (ed.), The Modernist Legacy: Essays on new music (pp. 1-10). Ashgate.
9. Paddison, M. (2010). Introduction: Contemporary Music: Theoretical and Philosophical Perspectives. In M. Paddison and I. Deliège, Surrey (Eds.), Contemporary Music: Theoretical and Philosophical Perspectives (pp. 1-15). Ashgate.
10. Riggins, S. H. (2003). The Pleasures of Time: Two Men, a Life. Toronto: Insomniac Press.
11. Sitsky, L. (2002). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. ‎ Greenwood.
12. Taruskin, R. (2010). Music in the Late Twentieth Century. New York: Oxford University Press.
13. Texier, M. (1999). Le dernier des modernes. In Textes réunis par P. Szendy (Eds.), Brian Ferneyhough (pp. 9-25). Paris: tHarmattan/IRCAM.
14. Toop, R. (2010). Against a Theory of Musical (New) Complexity. In M. Paddison and I. Deliège, Surrey (Eds.), Contemporary Music: Theoretical and Philosophical Perspectives (pp. 89-97). Ashgate.
15. Wolf, C. (1984). Cassandra: A Novel and Four Essays. (J. V. Heurck, trans.). Farrar-Straus-Giroux. (Original work published 1983)
中文論文
1. 楊晏欣（2017）。綜合打擊樂曲《烽堠》樂曲分析及詮釋報告。國立台北藝術大學音樂學院管弦與擊樂碩士班研究所。https://hdl.handle.net/11296/x84z3k
外文論文
1. Bakker, T. D. (2008). Two Responses to Modernism: Minimalism and New Complexity in Solo Flute Repertoire. Bachelor of Arts, University of Alberta.
2. Duncan, S. P. (2010). The Concept of New Complexity: Notation, Interpretation, and Analysis. A Dissertation Presented to the Faculty of the Graduate School of Cornell University. In Partial Fulfillment of the Requirement for the Degree of Doctor of Musical Arts.
3. Hockley, L. J. (2018). Performing complexity : theorizing performer agency in complexist music. The University of British Columbia. Doctor of Musical Arts. http://hdl.handle.net/2429/68181
4. Papageorgiou, A. (2020). Cassandra’s Dream Song in Context: Reinventing Greek Mythology through the Contemporary Flute. Malmö Academy of Music/Lund University. http://lup.lub.lu.se/student-papers/record/9030589
5. Vanoeveren, I. (2016). Confined walls of unity: The reciprocal relation between notation and methodological analysis in Brian Ferneyhough's oeuvre for flute solo. UC San Diego Electronic Theses and Dissertations. https://escholarship.org/uc/item/4sc6x6h2
外文期刊
1. Boros, J. (1994). Why Complexity? (Part Two) (Guest Editor’s Introduction). Perspectives of New Music, 32(1), 90–101. https://doi.org/10.2307/833155
2. Ferneyhough, B. & Boros, J. (1990). Shattering the Vessels of Received Wisdom. Perspectives of New Music, 28(2), 6–50. https://doi.org/10.2307/833006
3. Finnissy, M. (2002). Biting the Hand that Feeds You. Contemporary Music Review, 21(1), 71-79. https://doi.org/10.1080/07494460216644
4. Fox, C. (1993). British Music at Darmstadt 1982-92. Tempo, 186, 21–25. http://www.jstor.org/stable/944876
5. Gemolo, M. (2019). Extended Techniques on the Traverso (Part 2): The Case of the Fluttertonguing and Microtones in the Post-Modernist Repertoire for the One-Keyed Flute. ÍMPAR - Online Journal for Artistic Research, 3(1), 5–23. https://doi.org/10.34624/impar.v3i1.3914
6. H. Frisk & S. Östersjö (Ed.), (re.) thinking improvisation (pp. 107-113). Malmö: Malmö Academy of Music/Lund University.
7. Hawkins R. (2020). Brian Ferneyhough's 'Transit', The London Sinfonietta, and the Emergence of Complexity in 1977. Music and Letters, 101(1), 89–119. https://doi.org/10.1093/ml/gcz115.
8. Ljungar-Chapelon, A. (2013). “Det improvisatoriska, explosiva momentet i Cassandra’s Dream Song: mimesis och ett möte mellan musik och teater”. In
9. Pace, I. (2015). Ferneyhough Hero: Scholarship as Promotion. Music and Letters, 96(1), 99-112. https://doi.org/10.1093/ml/gcu111.
10. Pace, I. (2015a). Positions, Methodologies, and Aesthetics in the Published Discourse about Brian Ferneyhough: A Critical Study. Search Journal for New Music and Culture, Fall(11). https://www.searchnewmusic.org/pace.pdf
11. Paetzold C. (2013). Ferneyhough–Cox–Thomalla: An Analysis, Two Outlooks, and the Question of a "New Complexity" School. Search Journal for New Music and Culture, Fall(10). https://www.searchnewmusic.org/paetzold_complexity.pdf
12. Powell, L. (2010). The Experience of Complexity: The Critical Discussion Concerning Brian Ferneyhough. Search Journal for New Music and Culture, Summer(7). https://www.searchnewmusic.org/powell_review.pdf.
13. Toop, R. (1988). Four Facets of The New Complexity. Contact: A Journal for Contemporary Music (1971-1990), (32). 2-50. https://doi.org/10.25602/GOLD.cj.v0i32.1284
14. Ulman, E. (1994). Some Thoughts on the New Complexity. Perspectives of New Music, 32(1), 202–206. https://doi.org/10.2307/833163
15. Vanoeveren, I. (2018). Cassandra's Dream Song: Let's (not) talk about gender. ÍMPAR Online journal for artistic research in music, 2(2). 19-29. https://doi.org/10.34624/impar.v2i2.898
16. Waterman, E. (1994). Cassandra’s Dream Song: A Literary Feminist Perspective. Perspectives of New Music, 32(2), 154–172. https://doi.org/10.2307/833604
中文網路資源
1. 方永泉（2000，12月）。現代樂派。國家教育研究院辭書資訊網。http://terms.naer.edu.tw/detail/1310583/
2. 林芳宜（2008，9月)。聲音藝術的奇幻旅程：第二次世界大戰後當代音樂
發展概況。MUZIK AIR雜誌Vol. 34。https://read.muzikair.com/tw/periodicalArticles/8cb563ba-af32-40f6-8b9a-1ea57f718047
3. 陳豐偉（2018, October 22）。卡珊德拉症候群：無人理解的痛苦。康健⸺
華人世界最值得信賴的健康生活平台。 https://www.commonhealth.com.tw/article/78257
外文網路資源
1. Botstein, L. (2001, January 20). Modernism. Grove Music Online. Retrieved November 13. 2021, from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000040625
2. Brian Ferneyhough. (n.d.). Cassandra’s Dream Song (1970). Edition Peters. Retrieved March 27, 2022, from http://www.editionpeters.com/resources/0001/stock/pdf/cassandra_%27s_dream_song.pdf
3. Brian Ferneyhough. (2019, January 29). The Living Composers Project. Retrieved March 23, 2022, from http://composers21.com/compdocs/ferneyhb.htm
4. Brian Ferneyhough. (2022, March 20). In Wikipedia. the free encyclopedia. Retrieved March 24, 2022, from https://en.wikipedia.org/wiki/Brian_Ferneyhough
5. Britannica, T. Editors of Encyclopaedia. (2019, February 14). Cassandra. Encyclopedia Britannica. https://www.britannica.com/topic/Cassandra-Greek-mythology
6. Contemporary Classical Music. (2022, March 6). In Wikipedia. the free encyclopedia. Retrieved March 24, 2022, from https://en.wikipedia.org/wiki/Contemporary_classical_music
7. Coventry Blitz. (2022, February 26). In Wikipedia. the free encyclopedia. Retrieved March 24, 2022, from https://en.wikipedia.org/wiki/Coventry_Blitz
8. Crichton, H. (2020, November 30). Evelyn De Morgan: challenging the status quo with mythical women. Ark UK. https://artuk.org/discover/stories/evelyn-de-morgan-challenging-the-status-quo-with-mythical-women
9. Duncan, S. P. (2016). To Infinity and Beyond: A Reflection on Notation, 1980s Darmstadt, and Interpretational Approaches to the Music of New Complexity. https://www.searchnewmusic.org/duncan.pdf
10. Edition Peters. (2018) Ferneyhough worklist July 2018. Retrieved March 2, 2022, from https://www.edition-peters.de/resources/0001/writers/pdf/Ferneyhough_Worklist_July_2018.pdf.
11. Fox, C. (2001, January 20). Darmstadt School. Grove Music Online. Retrieved December 30, 2021, from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000049725.
12. Fox, C. (2001a, January 20). New Complexity. Grove Music Online. Retrieved September 12, 2021, from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000051676
13. Griffiths, P. (2001, January 20). Serialism. Grove Music Online. Retrieved December 11, 2021, from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000025459.
14. Mathews, H. (2014, April 15). Brian Ferneyhough Visits MakeMusic. MakeMusic. https://www.finalemusic.com/blog/brian-ferneyhough-visits-makemusic/
15. New Complexity. (2022, March 13). In Wikipedia, the free encyclopedia. Retrieved March 15, 2022, from http://en.wikipedia.org/wiki/New_Complexity
16. Neue Musik (2022, January 4). In Wikipedia. the free encyclopedia. Retrieved March 24, 2022, from https://en.wikipedia.org/wiki/Neue_Musik
17. Sledge, B (2016). Cassandra's Dream Song - an in-depth analysis using a modified Schenkerian approach. ResearchGate. https://doi.org/10.13140/RG.2.2.36142.56649
18. Thraves, L. (2018). Brian Ferneyhough to receive honorary doctorate from Royal Birmingham Conservatoire. Rhinegold Media & Events. https://www.rhinegold.co.uk/classical_music/brian-ferneyhough-receive-honorary-doctorate-royal-birmingham-conservatoire/
19. Toop, R. (2008). Ferneyhough, Brian. Grove Music Online. Retrieved 23 Jan. 2022, from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000009503
20. Transcendentalism (2022, 28 January). In Wikipedia, the free encyclopedia. Retrieved January 29, 2022, from https://en.wikipedia.org/wiki/Transcendentalism
21. Unconscious Mind. (2022, March 28). In Wikipedia, the free encyclopedia. Retrieved April 9, 2022, from https://en.wikipedia.org/wiki/Unconscious_mind
影音資料
1. Classical Nerd. (2022, February 2). Classical Nerd: A Complete Guide to New Complexity and its Core Composers [Video]. YouTube. Retrieved from https://youtu.be/PcmHEpXFWgk
2. Kahane, R. (Director). (2014) Flute Master & Teacher: Pierre-Yves Artaud. [DVD] HARMONIA MUNDI. SA: Kahane, Roger.
樂譜
1. Ferneyhough, B. (1970). Cassandra’s Dream Song. London: Hinrichsen Edition, Peters Edition Ltd.